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Drowning and what comes Afterwards (or My Time Underwater)

by Michael Denis Ó Callaghan

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    Photography by Stratøs. Graphic Design by Alex Gray.

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1.
Yesterday a tiny crocus popped its lilac and yellow head out from under its winter burial cloth of chestnut brown, decaying mulched leaves and damp springtime dirt. It stopped me. Asked me to notice and delight, tend to the new beginning, even when it appears so far away. It seems to call “come out! today is a new day.”
2.
Stood out at the edge of different bodies of water the past few nights The Saugatuck River, Pinewood Lake, the reservoir at Devil’s Den I stood out in the summer evening needing to visit a time when I spent more time dreaming, less time practicing breathing For the inevitable descent Tossing tree branches into the water and wading up to my knees Bubbling with unease, recalling the other times I’ve been
3.
4.
[note: this is the original poem by E.E. Cummings. Lines within brackets are not sung as lyrics but are included here to respect the poem's original form.] when god lets my body be From each brave eye shall sprout a tree fruit that dangles therefrom the purpled world will dance upon Between my lips which did sing a rose shall beget the spring [that maidens whom passion wastes will lay between their little breasts] My strong fingers beneath the snow Into strenuous birds shall go my love walking in the grass their wings will touch with her face and all the while shall my heart be With the bulge and nuzzle of the sea
5.
The Pool 06:18
Can you Can you tell me why I need to know Where I Fell into the pool Would you teach me how to swim? I don’t want to drown again It feels like I’m always gasping for air My dreams My dreams are vignettes Of when I Of when I fell into the pool Black and white polaroids They seem to be moving Pictures in motion Outside myself looking over here Can you? Can you tell me why? I need to know Exactly when I Sank to the bottom of the pool The weight of the water crushing me The wades in the water useless to me
6.
7.
Sequestered 06:36
8.
Innisfree 03:42
I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight’s all a glimmer, and noon a purple glow, And evening full of the linnet’s wings. I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core.
9.
I feel it, but I don’t pay attention. I’m wiping my face but still taste the salt. These places I visit myself are edges of bodies of fresh water. Maybe they remind me of the things that I ruined, the things that are my fault. These things I’m no longer doing, but lack forgiveness I’m still pursuing. Long Island Sound is an estuary though, sometimes I can hear it on burned CD’s That people made for me that I can really only listen to in the car. They wash over me now. I hear them, but I don’t pay attention. Too busy skipping stones - I still get can’t throw them very far.
10.
Offerings 08:34
When will I return to myself open the door again and offer the affection that is always waiting just beyond my willingness to reach move further from this here and now see the road that leads back to the places of true kindness children know the way opening themselves to what is always new I cling to the old, the familiar the “I don’t think this works anymore but it is mine” In my dreams the sandbar of my childhood is exposed I squeeze my toes together in the wet sand I collect sand dollars and shells little mermaid purses offering themselves to me I feel the sun’s warmth on my bare back I look back to see my mother watching from the beach  peanut butter and jelly sandwiches in the cooler at her side My dream nearly comes to an end I almost wake and move on to what the body knows but then I see that all of this beauty, sandbar stretching for what seems to be an eternity indulgent ocean is offered to me So I look back again at my mother she smiles offering it all and I run and dive into the shallow tide
11.
Holding you close, undisturbed before a fire The pressure in my chest when you breathe in my ear We both knew this would happen when you first appeared My Lady of the Island The brownness of your body in the fire glow Except the places where the sun refused to go Our bodies were a perfect fit In afterglow we lay My Lady of the Island Letting myself wander through the world inside your eyes You know I'd like to stay here until every tear runs dry My Lady of the Island Wrapped around each other in the peeping sun Beams of sunshine light the stage, the red light's on I never want to finish what I've just begun with you My Lady of the Island
12.
13.
It's like sitting in a cloud And the fog is so loud That you can't see the way down The lake is almost invisible Still the water's filling your lungs As you drown you remember That it's only a loud cloud Swallowing your body up to your neck From the edge you waded deep in the lake You can't see the way down to the ground Still the water's filling your lungs
14.
Do you remember what I was saying to you? Out on the veranda back when it was warm Between sips of black coffee I said who I was convinced I am going to be Do you remember? I know it’s becoming A blur. I was hanging on the banister Between your brown eyes and mine I see the places we intertwine I guess you were right not to let me Get caught up in what I already knew We spoke more on the subway platform I still remember what I was saying to you Wipe your tears You’re crying often now I watch you trying to soften how the air hangs In the perpetual summer air Between contrasting brown irises Between identical brown irises I lied it’s easier than telling The truth why and where you are
15.
gently toss 04:08
Where Ships of Purple—gently toss -- On Seas of Daffodil— Fantastic Sailors—mingle— And then—the Wharf is still!
16.
Yesterday a tiny crocus popped its lilac and yellow head out from under its winter burial cloth of chestnut brown, decaying mulched leaves and damp springtime dirt. It stopped me. Asked me to notice and delight, tend to the new beginning, even when it appears so far away. It seems to call “come out! today is a new day.”
17.
Postlude 05:09

about

Drowning and what comes Afterwards (or My Time Underwater) is the debut double album from Michael Denis Ó Callaghan on Cmntx Records.

The dual titles reflect two different states of suffering: the time within suffering (My Time Underwater) and the challenge of understanding suffering and moving forward (Drowning and what comes Afterwards).

This album is dedicated to Ahmed and everyone who knows pain and loss while trying to find a way forward.

Liner Notes by Nyokabi Kariũki:

"Michael and I have often talked about water, particularly about writing music about water, so listening to this record on a rainy Tuesday afternoon felt, in a way — like an inside joke (perhaps between me, Michael and nature) was forming. Really, the titles of the album already weakened me before I started to listen; and as I did, I felt the floaty worlds, painted by careful words or haunting strings or lone trumpet melodies, subsume me.

There is a quietness, I feel, that exists when you hear sounds of water in the ears, and this record felt like water was next to you; nudging you along, enveloping you, pacing your body’s heartbeat against gently oscillating ripples. I suggest listening on a quiet morning, perhaps on a Tuesday, when the rain is there to give you a little giggle with us; and to pull you gently into the waves, too."

credits

released March 25, 2022

Michael Denis Ó Callaghan - trumpet, vocals, electronics, percussion*
Alex Ring Gray - electronics (9, 10, 16)*
Angie Rosado - oboe (12)
Blake Opper - tenor saxophone (4, 8) alto clarinet (4, 5, 8)
Colin Walters - alto saxophone (4, 7, 8), flute (4, 8)
Dan Langa - electronics (1, 2, 3, 6, 7)
Dmitry Glivinskiy - piano (12)
Dorothy Carlos - cello (4, 5, 9, 12) electric cello (5)
Evan O. Adams - electric guitar (4, 8, 9, 11*, 14)
Harper Randolph - viola (4, 7, 8, 9, 12, 15)
Hannah Donnelly - flute (12)
Joe O’Callaghan - spoken word (16)
Julien Monick - electric keyboards (3, 5, 7, 13, 14 17), electronics (17)
Laura Reyes - bassoon (4, 5, 8, 9, 12, 15)
Nate Giordano - double bass (1, 2, 3, 4, 8, 9, 12), electric bass (7, 14)
Owen Bologna - electric guitar (3, 5, 7, 13, 14)
Sam Beckwith - clarinet (12)
Samantha Lake - tuba (5, 8, 9)
Seth Fox - flute (3)*
Steven McArdle - drumset (3, 4, 7, 13, 14)
Tyler Campbell - percussion (5, 8, 12, 15)
Yaz Lancaster - violin (4, 7, 8, 9, 12)

Engineered by Alex Ring Gray* and Musicians

Mixed by Dan Langa, except:
Track 12, "for Charlotte" mixed by Toshi Tsuruoka

Mastered by Toshi Tsuruoka at Ecotone Lab

Photography by Stratøs
Design by Alex Ring Gray

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All Compositions and Lyrics by Michael Denis Ó Callaghan
© 2022 Michaelocmusic (ASCAP)

except:

Track 1 "My Time Underwater" and track 16 "for Ahmed (Finale) which contain the poem "Lazarus" by Joe O'Callaghan

Track 4 "when god lets my body be" which contains the poem of the same title by E.E. Cummings

Track 8 "Innisfree" which contains the poem "The Lake Isle of Innisfree" by W.B. Yeats

Track 11 "Lady of the Island"
Music and lyrics by Graham Nash
Originally recorded by Crosby, Stills, and Nash
© 1969 Nash Notes (BMI)

Track 15 "gently toss" which contains the poem "265" by Emily Dickinson

Track 17, "Postlude" co-composed by Julien Monick
© Julien Monick (ASCAP)

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Produced by Michael Denis Ó Callaghan and Dan Langa

℗ 2022 Michael Denis O’Callaghan / Cmntx Records LLC

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Michael Denis Ó Callaghan Brooklyn, New York

Michael Denis Ó Callaghan is a composer, trumpeter, vocalist, lyricist, and educator with a knack for subverting expectation. Blurring the boundaries between composition and improvisation, his music explores the space between eclectic artistic influences-simultaneously paying homage to musical traditions and moving towards a unique, authentic sound of his own.
michaeldenisocallaghan.com
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